000			01772nas a2200217Ia 4500
008			240802c99999999xx |||||||||||| ||und||
022			_a0011-3921
100			_aSanchez-Capdequi, Celso _9119639
245		0	_aCreativity, transcendence, and social constellations
260			_bCurrent Sociology
260			_c2024
300			_a235-252
520			_aAs happens in the very notion of social creativity that presents itself objectified in different figures over time, in the same way the types of transcendence -as condition of posibility of creativity- change over time. We are going to analyze four socio-historical constellations of the creativity-transcendence binomial: The first of them is the one represented by a myth-ritual structure embodied by Homo Sapiens in primitive cultures; the second of them is the one that arises 500 B.C. ago with the “axial revolution” in China, India, Iran, Palestine and Greece supported by new carriers of creative action; the third of them is configured at the beginning of modernity in the 18th century, with the Protestant Reformation and immediately afterwards with the Enlightenment and Romanticism, supported by new carriers of creative action; the fourth constellation of creativity-transcendence emerges today with the convergence of technologies - nanotechnology, biotechnology, Big Data and Artificial Intelligence - where the sense of human nature as a vector within a hybrid cognitive collectivity made up of humans and things is altered.
650			_a Modernity
650			_a Social Constellations _9119640
650			_a Sociology
650			_a Transcendence _92214
650			_aCreativity _924477
700			_a Beriain, Josetxo _9119641
856			_uhttps://doi.org/10.1177/00113921231190714
999			_c133519 _d133519